
IRCCS Working Paper Series
April, 2025 | Issue #1


Preface
The International Research Centre for Cultural Studies (IRCCS) is pleased to announce thelaunch of the inaugural issue of the IRCCS Working Papers Series in Cultural Studies. Thisissue features contributions from esteemed scholars and emerging voices from Hong Kong,Southeast Asia, and the United Kingdom.
The Working Papers Series aims to publicize and inspire, fostering a vibrant exchange of ideas that invigorates cultural research. By circulating these working papers, we encourage the exploration of innovative concepts and methodologies, including pilot studies that test new hypotheses. This initiative is designed to inspire early-career researchers—PhD, EdD, and MA students—by supporting them in the publication process and refining their work forsubmission to professional peer-reviewed journals.
Through a collegial review process facilitated by an editorial board and the Centre's members, we provide authors with constructive feedback that paves the way for the successful publication of their research. In doing so, we cultivate an environment where new thoughts and concepts can flourish within the field of cultural studies.
On behalf of the IRCCS, we invite scholars to engage with the thought-provoking abstractspresented in our inaugural issue, which traverse a rich tapestry of themes from care tocultural health, literary criticism, and digital humanities.
In his paper, Erni advocates for a citizen-centric health paradigm, emphasizing the empowerment of individuals and communities through diverse health discourse. Bagulaya explores how narratives of care intertwine with the calamities depicted in Delgado's disaster novel, revealing the intricate layers of human experience in crisis. Guan applies Bourdieu’s theory to analyze how Chinese students navigate digital landscapes for language acquisition, highlighting disparities in access and engagement. Tabunan extends the notion of “righting” within the framework of radical human rights, examining how Ilokano literature reflects on the traumatic memories of martial law in the Philippines. Li revisits critical concepts of self-representation among Asian writers, interrogating the dynamics of appeal to Western audiences. Finally, Cheung delves into the cultural implications of prompting as a form of artistic expression.
These abstracts serve as an intellectual appetizer, inviting readers to delve deeper into the full texts. We encourage curious minds to reach out to the authors for a more enriching exploration of these vital topics.
Jose Duke Bagulaya, PhD
Editor